Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
    • soundscapes. >
      • => in 'Autumn Project' (2024).
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Ephem Vault 2023.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • => Gestaltish (2011–2014).
    • => Eat The Sun (2013–2018). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => March 2018.
    • => body electric 1.3 (Berlin 2017). >
      • => body electric 3.1 (Oahu Fringe 2019).
      • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).

Things I Don't Tell You (2022).

4/27/2022

2 Comments

 
Picture
Peiling Kao's recent evening-length show includes: "If we are not afraid to adopt a revolutionary stance...", "Today, together, let us repeat as our slogan..." & "tendrils flutter diaphanous" (from 39:19).
2 Comments
https://dltutuapp.com/tutuapp-download/ link
9/8/2023 01:58:40

So, in your setup, you can use the input level control knob for Channel A to set the input level for the Behringer NX3000 when operating in bridge mode. This control will adjust the input level for both the positive and negative phases of the bridged output.

Reply
https://kodi.software/ link
9/8/2023 01:58:59

However, the input level control for the amplifier is typically designed to control both channels simultaneously in this mode. Adjusting the input level control on Channel A will affect the input level for the entire amplifier in bridge mode.

Reply



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