Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • soundscapes. >
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => 'Finding as Making // Singing No Songs' (2014).
    • electrovocal. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
    • for film. >
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
      • => film music samples.
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • objects.
    • visual scores. >
      • 'Song Cycle for Symbionts' (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
        • 'Post-Score' (2023).
      • 'Paris Blancheur' (2011).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'For Voices in Distant Landscapes' (2022).
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • => JuDai (2019–2022). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2021). >
      • => body electric 5.2 (Island Circuit 2021).
      • => body electric 3.1 (Oahu Fringe 2019).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 1.3 (Berlin 2017).
    • => Eat The Sun (2013–2018). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => Gestaltish (2011–2014). >
      • => more w/ Gestaltish.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.

Stein Phase: Instructions for a Performance in 6 Movements (2009).

Picture
click to listen.
1.  Find a recording of Gertrude Stein reciting a poem.
Play the recording.  Listen carefully.  
Repeat everything Gertrude Stein says immediately after she says it.

Do not recite the poem.
If you have accidentally memorized any part of the poem, do not anticipate it.
Listen carefully.  Repeat everything you hear right after you hear it.

Do not say the wrong word or stop speaking or laugh.
Do not fall behind.
Finish speaking right after Gertrude Stein does.


2.  Find a recording of Gertrude Stein reciting her poem.
Play the recording.  Repeat everything Stein says.

Do not recite the poem.
Listen carefully, repeating everything you hear.

Do not say the wrong word.
Do not fall behind.
Do not laugh.


3.  Find a recording.
Play the recording.   
Repeat everything.

Listen carefully.  
Repeat everything you hear.

Find a recording.
Play the recording.  Listen.  
Repeat.


4.  Find the recording of Gertrude Stein reciting Picasso performing.
Play carefully, repeating while listening.
Do not rememorize the listening.  Repeat, she says.

Do immediately the right word right after she says.
Do not incite Gertrude Stein.  Anticipate it careful.
Play the repeat everything after she.

Relisten.


5.  Find Gertrude Stein. Play the repeating recording.
Everything repeats insights.  Deliberate delights.
Do not say the right after wrong.  Gertrude Stein says Picasso listen.

Play to Gertrude Stein but not laughs.
List then to Finnish speaking.

Find a trued stein.  Lay the peat in chords.
Say very thing severing severely.
Serve Picasso your ear.

Glisten laughs in behind.
Fins peak after.


[6.  Performance follows instructions.]


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