Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
    • soundscapes. >
      • => in 'Autumn Project' (2024).
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => from Roy's 'Field Notes on Democracy' (2018).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Ephem Vault 2023.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • => Gestaltish (2011–2014).
    • => Eat The Sun (2013–2018). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => March 2018.
    • => body electric 1.3 (Berlin 2017). >
      • => body electric 3.1 (Oahu Fringe 2019).
      • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).

Sounds of Moving Making (2017–2019).

Pictureclick to listen.

What does paper sound like? How tactile is the motion of charcoal, of graphite?

In this project, I grasp the materials, close my eyes, and move both my hands simultaneously, without looking. What is expressed through the physical motion and interaction of drawing materials is recorded in the monochrome marks.

The small microphone, in its closeness to the surface action, also records its own materiality: small scrapes and finger brushes become large. Sudden gestures jar or thump the recorder. A moment of stillness allows sounds of the surrounding environment to emerge and take center stage. Each iteration is distinct as I strive to full, embodied presence: listening, marking, every moment anew.




cocooned (2010).

Picture
photocells in plastic wrap:
Sounds shift as the sun goes down.




apples and oranges (2009).

Picture
kraakle circuits in produce:
Touch the fruit, hear the noise.




















inter (2008 ~ 2010).

Picture
conceptual & corporeal:
Nature & time transform (destroy) my autoharp.




















Picture
ne plus ultra
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