Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • soundscapes. >
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => 'Finding as Making // Singing No Songs' (2014).
    • electrovocal. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
    • for film. >
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
      • => film music samples.
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • objects.
    • visual scores. >
      • 'Song Cycle for Symbionts' (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
        • 'Post-Score' (2023).
      • 'Paris Blancheur' (2011).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'For Voices in Distant Landscapes' (2022).
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • => JuDai (2019–2022). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2021). >
      • => body electric 5.2 (Island Circuit 2021).
      • => body electric 3.1 (Oahu Fringe 2019).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 1.3 (Berlin 2017).
    • => Eat The Sun (2013–2018). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => Gestaltish (2011–2014). >
      • => more w/ Gestaltish.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.
Picture

「古」ko.




Picture



Picture
Library of No


Kobayashi Kokei.  Photograph

                                            adaptation

NOTE ON ENGLISH
The present text is primarily
a leading authority

Occasional liberties, however, have been taken, expanding foreign
and abbreviating or omitting other parts.

The adaptor is solely responsible for these changes and alterations,
as well as for Japanese


names in the text.

Printed
Gretchen 真 Jude

the artist is concerned         somewhat indistinctly

A few stars are still             to catch and reflect
the monks as they chant
the feeling of reality            here reproduced

Here we see three women        lavished
to the romantic passions of the artist's youth

Bamboo Bamboo                   Bamboo
                bamboo bamboo
                                bamboo bamboo

all appear
        Bamboo
on the night of the full moon
                            Bamboo Bamboo
                                                   
bamboo in the bamboo
the green of             bamboo
rising up to the clouds
in gold

nostalgic beauty                     and the colors
are here quite eliminated
almost as green as                 a feeling of cleanliness


the execution of hair
really remarkable                    unquestionably
she changes into a serpent
heat of her unholy                    sleeves

events that transpired            push aside
this difficult narrative
with her long hair                    well suited to the inception

the strength of the woman's passion        unlawful
the execution of the hair

all of the pathos                         is somewhat surrealistic
back to the world of quiet

of waving corn    of the stems and grains    of simplified realism    of subject matter of which    of painting    of space


                                                                                                                  The present author is in complete agreement
                                                                                                                  the full fruition              with the increased use of color
                                                                                                                  passed on                        the true, clean beauty of the real

                                                                                                                                                                                                                        His position of preeminence


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