Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
    • soundscapes. >
      • => in 'Autumn Project' (2024).
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Ephem Vault 2023.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • => Gestaltish (2011–2014).
    • => Eat The Sun (2013–2018). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => March 2018.
    • => body electric 1.3 (Berlin 2017). >
      • => body electric 3.1 (Oahu Fringe 2019).
      • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).

sounding in Italy and Japan.

7/26/2016

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Picture
Even in limbo, there is sound!  The Italian audio festival Helicotrema will present my work, Amber Moon An Ember, as part of their special internet listening session.  Click on the link above between July 28~30 to listen.  Then on Sunday, August 7, I will be improvising with Yoko Ikeda (viola) and Wakana Ikeda (flute) at Ftarri in Suidobashi (Tokyo) as part of the venue's 4th year anniversary celebration series.  If you're in the area, I hope to see you there!
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