Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
      • => film music samples.
    • soundscapes. >
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.
      • => Ephem Vault 2023.
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2021). >
      • => body electric 5.2 (Island Circuit 2021). >
        • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
      • => body electric 3.1 (Oahu Fringe 2019).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 1.3 (Berlin 2017).
    • => Eat The Sun (2013–2018). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => Gestaltish (2011–2014). >
      • => more w/ Gestaltish.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.

San Francisco summer, short but sweet

6/22/2015

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Picture
Back in action!  glou glou made much sound last night (alongside Oa) at the Garden of Memory, Oakland's annual solstice concert. Next weekend Gestaltish will lead an improv workshop Friday (6/26) and give a performance Saturday (6/27), both at the Community Music Center in San Francisco.  I am also working on music for choreographer Christine Germain's amazing work-in-progress, Corps Étranger, which opens at SF's ODC Theater on July 11.  By then, I'll be back in Niigata for the summer, but I hope you'll hear something from me sooner or later.
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