Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
      • => film music samples.
    • soundscapes. >
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.
      • => Ephem Vault 2023.
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2021). >
      • => body electric 5.2 (Island Circuit 2021). >
        • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
      • => body electric 3.1 (Oahu Fringe 2019).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 1.3 (Berlin 2017).
    • => Eat The Sun (2013–2018). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => Gestaltish (2011–2014). >
      • => more w/ Gestaltish.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.

In good company: hirakito in print.

10/17/2020

1 Comment

 
Picture
hirakito, my experiment in sound/space/improvisation with Kevin Corcoran, is getting some new press.  It's an honor to be included in critic Kevin Press' newest book, The Moderns 2019-2020 – alongside artists like Maryanne Amacher, Alvin Lucier, Art Ensemble Chicago, Ryuichi Sakamoto and Masahiro Sugaya!  Hope you will check out the book (available on Amazon) and the album (link above), which was released on CD by Full Spectrum in 2019.
1 Comment
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