Anemone Anomaly
  • me.
    • bio.
    • vitae.
  • news.
  • sounds.
    • for film. >
      • => 'XiXi' (2024).
      • => 'Free Chol Soo Lee' (2022).
      • 'Midnight Traveler' (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's 'Bamboo and Barbed Wire' (2019).
      • => Em Mahdavian's 'Intangible Body' (2016).
    • soundscapes. >
      • => in 'Autumn Project' (2024).
      • => 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes, 2020-2023' (2023).
      • => 'One Single Sheep Bell' (2022).
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => from Roy's 'Field Notes on Democracy' (2018).
      • => 'Summer in Snow Country' (2014).
      • => Triptych (2013). >
        • => "The Amber Moon an Ember" (2013).
        • => "A Wilderness Most Concrete" (2013).
    • electrovoice. >
      • => 'renatured' (2022).
      • => 'Mirror Morrow' (2020).
      • => 'Listening to History: Minidoka (Part 2)' (2017).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'touching barad' (2015).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • => Christy Funsch's 'MSDM' (2018).
      • => 'Des-Echoes' (2015).
  • albums.
    • => 'Thirsty Afternoon' (2022).
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => review.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014).
    • => 'songspaces' (2013).
  • artifacts.
    • visual scores. >
      • => 'Suomenlinna: Back North' (2024).
      • 'Divide' (2024). >
        • => at The Lab, 17 May 2024.
      • postcard music (2009-2023). >
        • => 'Post-Score' (2023).
        • at Canessa Gallery (2015).
        • 'Paris Blancheur' (2011).
      • 'Song Cycle for Symbionts' (2020).
      • => 'Tree_Score' (2010).
    • instructional scores. >
      • 'One hundred k [days] x [seconds]' (2024).
      • => 'For Voices in Distant Landscapes' (2020-2023)
      • 'Body / Tech / Overflow' (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • 'News Piece' (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • 'As Distinct From Humming' (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => 'Sonic Meditation for Immersive Ecological Entanglement' (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • w/ Ted Apel & breccia (2006– ) >
      • => Ephem Vault 2023.
    • => Candy Acid (2009–2013). >
      • => in conversation.
      • => on Susu Ultrarock Records.
    • => Gestaltish (2011–2014).
    • => Eat The Sun (2013–2018). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => March 2018.
    • => body electric 1.3 (Berlin 2017). >
      • => body electric 3.1 (Oahu Fringe 2019).
      • => 'Island Circuit Series': Ahupuaʻa ʻO Kahana State Park (2021).
    • => JuDai (2019–2023). >
      • => live & distant on People, Places, Things (2020).

An immersive performance about animals and extinction.

10/16/2019

2 Comments

 
Picture
Nina Haft & Company's PRECARIOUS POD is an immersive performance for small, intimate audiences about animals and extinction. Exploring the lives of species that have adapted with varied success to human impact, we invite audiences to move about freely to observe and explore how human and animal instincts collide. What can we learn from animals about a balanced relationship to our natural world?  I hope my composed soundscapes will help answer.

Shows in November at Joe Goode Annex in San Francisco. Click for link to tickets!

2 Comments
essayhave review link
2/23/2020 22:53:31

Animals like monkeys are the source of happiness and entertainment for us in life. These animals are also very friendly such as they play with us and also come in our rooms as well if they are in our home.

Reply
Gretchen Jude
1/31/2021 01:02:42

The deeper you go the higher you fly. The higher you fly the deeper you go. It's such a joy, let's take it easy!

Reply



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